Our color grading room has optimal calibration to ensure an image
that meets international industry standards and the appropriate color space.
The room operates with DaVinci Resolve Studio on a Mac Studio M2 PRO system.
Working in Rec. 709 or DCI-P3 with Blackmagic ultrastudio 4K Extreme 3 video card,
for real-time image capture and playback.
The studio reference monitor is a Dolby Professional Reference PRM-4220,
considered the international industry standard monitor
for colorists and photographers.
The studio walls are neutral gray with GTI Neutral 7 paint
to achieve the ideal technical conditions,
In a welcoming and conducive environment
that may help us bring every image, to its maximum potential.
He is an image post-producer and colorist.
He also works as a director and photographer. He has received various awards and nominations at important world film festivals for his work as author.
He has wide experience in working with image. He has made the color correction and image post-production of different films, including:
The 4k restoration of “battle in heaven” by carlos reygadas for the criterion collection, “fifaliana” by lorenzo hagerman, “al son de beno” by ilán lieberman, “dante y soledad” by alex de la mora,“biopsy” by adriana garibay, “sermon to the birds” by hilal baydarov, ”the tuba thieves” by alison 0’daniel (sundance 2023).
Rocio Ortíz Aguilar nació en Morelia, reside en la Ciudad de México.
Estudió la Licenciatura en Estudios Cinematográficos, en el Instituto Mexicano de Investigaciones Cinematográficas y Humanísticas.
Editó los largometrajes “Almas rotas” y “Día 6” del director Juan Pablo Arroyo, estrenados en el Festival Internacional de Cine de Morelia. Editó y produjo el documental “Aurora” de Laura García, nominado al Ariel a mejor cortometraje documental. Ha trabajado en el set como DIT, data manager y asistente de edición de proyectos cinematográficos de ficción y documental, además ha corregido más de 20 películas y cortometrajes. Actualmente se encuentra realizando la edición del documental “Matryoshka” de Maricarmen Merino.